第一篇:浮士德读书笔记
《浮士德》——读后感
假如浮士德博士的旅行是由地狱到天堂的旅行,那让我们看看地狱炼狱天堂都有些什么。
地狱:“人类只有通过种种磨难和考验才能通往胜利的彼岸。”浮士德的社会就是歌德的社会。歌德在文学、绘画、自然科学的学习中不断追求真理,在德国的狂飙突进运动中积极奔走,并在运动的失败中进一步深化认识,成就了思想的高度和深度。歌德的社会封建专制摧残人性;作品中,浮士德“枯守这个牢笼......塞满大堆书本,被灰尘笼罩。”与世隔绝的钻研却不能发现知识对改造生活用处;少女马加雷特饱受等级观念毒害,对浮士德尊称之为“小姐(贵族女士才能拥有的称号)而惊奇;一群青年甚至学生在酒吧里唱着粗俗的歌;教会对未婚生子的女性的极度不公的惩罚......而人间地狱的另一部分则是人性的欲望和罪恶。恶行者、伪善者表面风光无限,实则心惊胆颤!冥冥苍天,炯炯神眼,原罪的显现、欲望的暴露。听!慈悲的天神歌;看!流泪的众生相。浮士德因为爱欲而酿成爱情悲剧;对腐朽王朝,虚幻世界的执着终究化为泡影。达尔丢夫敢于在神明面前犯罪终下场不善。”金庸笔下的四大恶人最终难逃惩罚......这些小说人物都取材于现实,具有典型性和客观性,而作者对其加工处理不仅是增添小说的可读性也是对世人敲响警钟!再次让已惴惴不安的恶行者心惊。有多少二战战犯逃过死刑灵魂却终生受着煎熬,午夜梦回的是一具具腐尸和阴惨凄厉的催命声;一些侥幸出逃的贪官常与亲人分居世界各地,既担心被“一锅端”又忍受思亲之苦;因嫉妒而道人< ……此处隐藏8020个字……austus feels very horrified. as the last one hour passed, the devils enter and carry faustus away as he screams,“ugly hell gape not! come not, lucifer!/i’ll burn my books—ah, mephastophilis!”
3.conclusion
the author christopher marlowe wrote this book in early 1590s in england. faustus of marlowe’s play is an arrogant, self-aggrandizing man, but his ambitions are so grand that we cannot help being impressed, and we even feel sympathetic toward him. he represents the spirit of the renaissance, with its rejection of the medieval, godcentered universe, and its embrace of human possibility. faustus, at least, early on in his acquisition of magic, is the personification of possibility.
notes 1. 2. 3. 4.
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